2013年3月28日 星期四

趙中屏│賦彩牡丹 攝影展 (3.30~5.12)


展覽日期| 20 13   3  30  () ~ 2013   5  12  ()
開幕茶會|
 201 3   3 月 30  () 14:30
藝術講座|
 201 3   3  30  () 15:00 《藝術家本人出席》

策展人|邱奕堅 (東方設計學院文化創意設計研究所 助理教授)
展覽地點|1839當代藝廊 (台北市大安區延吉街120號地下樓 T: 2778 8458)
免費參觀

旅居美國的華裔女藝術工作者趙中屏,藉由《牡丹》來詮釋表達對彩色攝影的熱愛,以傳統底片拍攝牡丹的雍容華貴,姿態萬千,用暗房放大顯影的方式呈現豐富層次的魅力。

《賦彩》出自中國南朝齊學者謝赫提出之中國繪畫六法中的 [隨類賦彩] 藉由色彩表現不同的內容。

《牡丹》在中華文化中代表富貴,在殷實人家的廳堂中常會掛上牡丹富貴的寫實國畫。牡丹最初為藥用植物,至唐朝才大盛為觀賞用,甚至有楊貴妃命令牡丹在一夜盛開的傳說。唐朝大詩人李白也用牡丹賦詩作詞,藉由牡丹比喻貴妃。於是有「雲想衣裳花想容」的詞句。自此牡丹九有國色天香的美學,牡丹也成為花中之后。而畫家也將牡丹的美艷氣質表現在繪畫上,有的富貴嬌柔,有的雅致淡逸。


Chung-Ping Cheng│Color Endowment Peony

On-View Exhibition 2013 / 3/30 (Sat) ~ 2013 / 5/12 (Sun)
Opening Reception
 2013 /2/30 (Sat) 14:30
Artist Talk
 2013 /2/30 (Sat) 15:00
Curated byDr. Edward Chiu (Tung Fang Design University, Graduate Institute of Cultural & Creative Design, Assistant Professor)

Venue1839 Contemporary Gallery www.english.1839cg.com (02) 2778 8458
B1, No. 120 Yanji Street, Da’an District, Taipei 10696, Taiwan (R.O.C)
Free Admission

Color Endowmentis part of the six laws of Chinese painting “Categorical Color Endowment”, introduced by Scholar Shieh-Huh during the Southern Chi Dynasty. It is to portray a variety of content by embracing them with colors.

Peony represents wealth and elegance in Chinese culture; affluent families often would hang Chinese representational paintings of peonies in the hall to depict its well means of prosperity. Artist – Chung Ping CHENG chose to utilize peonies to express her affection and interest toward colored photography by fashioning traditional film to capture peonies’ unlimited exquisite and poise postures, where photos were developed and enlarged in a darkroom.


沒有留言:

張貼留言